On his deathbed, Osher found spirit in autoplay—as he was hooked up to oxygen and lost the ability to speak, he watched hours and hours of Kabbalah YouTube. The Kabbalah of anger, forgiveness, of loss. He stopped acknowledging the presence of his daughter, Leye, and his husband, Sender. And then he died. Now, months after his passing, Leye visits the local Kabbalah Center, fueled by a desire to understand this change in her father. She reunites with Khonen, a childhood friend, who incites her own series of desires in Leye that lead, eventually, to her possession. In this new adaptation of S. An-sky's The Dybbuk, we travel through time (and web servers) to witness whether Leye and Sender can grapple with the loss of a loved one turned stranger. 

 Dick and Jane are bored on a rainy Sunday afternoon. A six-foot tall cat shows up, and hijinks ensue. Later, elsewhere, Dick and Jane are bored on a rainy Sunday afternoon. A six-foot tall cat shows up, and hijinks ensue. Everywhere, space is a false vacuum waiting to decay. Try not to think about it while your boredom gnaws away at you. We Do the Same Thing Every Week is a one-act comedy about repetition, boredom, and the delicious, refreshing taste of Coca-Cola®.  

  Female Complaints is a new musical about ambition, persistance, and illegal abortion. Inez Ingenthron was raised in one of the poorest immigrant communities in turn-of-the-century San Francisco and became a highly skilled, sought-after abortionist and one of the wealthiest women in California. Inez successfully managed to get the law to look the other way, until Pat Brown, the District Attorney of San Francisco, targeted her in his rise to power. As Pat singled out abortion in his crackdown on vice, he made Inez’s downfall a personal mission. At a time when reproductive rights are under attack in the United States, Female Complaints highlights the world that we’re in danger of living in once again.